Austen’s Sense & Sensibility by the Bedlam Theatre Company

“I tried reading Sense & Sensibility once,” I confessed. “But I stopped because they were talking about money and it was boring.” “WHAT?! The money part is a satire!” The beauty of living together is that, after revealing my woeful ignorance, a fellow member of the Edwards Collective convinced me to give the story another… Continue reading Austen’s Sense & Sensibility by the Bedlam Theatre Company

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La bohème  

In October, we went to the Metropolitan Opera to see La bohème. The opera is both light and tragic, both relatable and humorous. There’s a swordfight on a rooftop. And the music is always swelling and crashing in waves because, well, Puccini wrote it. Here’s Gunnar Rice (’17) and Maggie Kurkoski (RGS) afterwards, with their… Continue reading La bohème  

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Things to consider when experiencing Kentridge’s “Refuse the Hour”

Refuse the Hour was the most thought-provoking event I was able to attend in the fantastic spread of Fall 2015 Edwards Collective events. Below are a few thoughts I wrote down in my notebook about Kentridge’s avant-garde chamber piece. Timecodes are based on https://vimeo.com/113399512 Metronomes and clocks give structure to time (1:39) Are the structures produced are relative to/dependent… Continue reading Things to consider when experiencing Kentridge’s “Refuse the Hour”

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EC orientation 2016

This year for orientation the Edwards Collective visited the Museum of Art and Design in New York to see (and touch) Harry Betoia’s sonambient sculptures. Afterwards we headed to the Brooklyn Academy of Music to watch the chamber opera The Loser.

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Fall retreat 2016

Over Halloween weekend the Edwards Collective visited Croton-on-Hudson. It was an action-packed weekend which included trips to Dia:Beacon and the Storm King Art Center, apple-tasting at a local Cider Mill, endless baking, quiet reading nooks, halloween costumes and bonfires late into the night.

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The National Theatre’s Coriolanus

On November 19, members of the Edwards Collective ventured into a cold, wet night to view a filmed version of Donmar Warehouse’s 2014 production of Shakespeare’s late Roman tragedy Coriolanus (starring Tom Hiddleston in the title role) at the Princeton Garden Theater. The production, which took the color crimson as its defining aesthetic feature, captured a bloody,… Continue reading The National Theatre’s Coriolanus

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